In 2014, National Public Radio ran a
series of conversations about The Race
Card Project, where thousands of people have
submitted their thoughts on race and cultural identity in six words. On
May 19 that year, NPR Host Michele Norris ran
a story about a song from South Pacific:[1]
"You've Got to Be Carefully
Taught". Those six words form the title of a song from Richard Rodgers and
Oscar Hammerstein's South Pacific, the wildly popular musical revolving
around cross-cultural love affairs in the South Pacific during World War II.
The musical South Pacific,
which opened on Broadway in 1949, won several Tony Awards the following year.
Then, years later, it became a hit movie.
To say South Pacific was
successful would be an understatement — it was a blockbuster. But it also drew
critics and controversy. It covered uncomfortable territory. Its romantic
tension was based on interracial romance, a strong taboo at the time.
Even so, the soundtrack topped the
charts. Songs like "Some Enchanted Evening" and "I'm Gonna Wash
That Man Right Outa My Hair" were in heavy rotation on the radio and on
record players around the country.
And judging from the inbox at The
Race Card Project, the message behind the song "You've Got to Be Carefully
Taught" has resonated with those who love the South Pacific
soundtrack, like Kathleen Ziegler of Lino Lakes, Minn. She says she first heard
that song on her family's record player.
"I had three older
sisters," she says. "We used to put the records on a lot, as we were
cleaning, especially. And we'd have it turned way up and we learned all the
songs."
The sisters would sing together,
Ziegler says, and the lyrics to "You've Got to Be Taught" stay with
her, even today.
You've got to be taught
To hate and fear, you've got to be taught from year to year
It's got to be drummed in your dear little ear
You've got to be carefully taught.[2]
To hate and fear, you've got to be taught from year to year
It's got to be drummed in your dear little ear
You've got to be carefully taught.[2]
"I just remember hearing [the
lyrics] when I was young, and it made me very sad," Ziegler says. "I
had parents who did exceptionally love us and taught us to do the same. And I
just thought, how can people be taught to hate, especially children?"
In 1958, Hammerstein was [interviewed]
by Mike Wallace. "South Pacific had two love stories in it,"
Hammerstein told Wallace. "They both concern, in a different way, race
prejudice."
One of the love stories involves a
plucky American woman named Nellie Forbush.
"Nellie Forbush, the Navy
nurse, is in love with a Frenchman, and when she finds out that he was once
married to a Polynesian woman and has two Polynesian — no, half-Polynesian —
children, she runs away," he explained.
"She's shocked by it, and she's
awakened later when she fears he's dead, and then suddenly she realizes how
unimportant was her prejudice, how important it was that she loved him and how
much she wants him back, no matter what kind of children he has," he said.
"What we were saying was that
... all this prejudice that we have is something that fades away in the face of
something that's really important," Hammerstein told Wallace.
Nearly 70 years ago, Hammerstein's
message of tolerance was largely about race and romance. But on so many levels
— race, sexual orientation, class, religion, gender — the challenge of reaching
across differences is still relevant today.
[2]
For the full lyrics of the song, see https://www.stlyrics.com/lyrics/southpacific/youvegottobecarefullytaught.htm
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